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Japanese term for self-published works, usually magazines, manga or novels. Dōjinshi are often the work of amateurs, though some professional artists participate as a way to publish material outside the regular industry. Not a literary magazine in fact, Meiroku Zasshi nevertheless played a big flcl hentai adult dojin in spreading the idea of dōjinshi. It has been suggested that technological advances in the field of photocopying during the 1970s contributed to an increase in publishing dojinshi.

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During this time, manga editors were encouraging manga authors to appeal to a mass market, which may have also contributed to an increase in the popularity of writing dojinshi. During the 1980s, the content of dōjinshi shifted from being predominantly original content to being mostly parodic of existing series. Often called aniparo, this was often an excuse to feature certain characters in romantic relationships. As of February 1991, there were some dōjinshi creators who sold their work through supportive comic book stores.

This practice came to light when three managers of such shops were arrested for having a lolicon dōjinshi for sale. Over the last decade, the practice of creating dōjinshi has expanded significantly, attracting thousands of creators and fans alike. Advances in personal publishing technology have also fueled this expansion by making it easier for dōjinshi creators to write, draw, promote, publish, and distribute their works. For example, some dōjinshi are now published on digital media. A license format inspired by Creative Commons licenses, the first author to authorize the license was Ken Akamatsu in the manga UQ Holder! Oppliger claimed that because Japanese natives grow up with anime and manga “as a constant companion”, Japanese fans “are more intuitively inclined” to create or expand on existing manga and anime in the form of dōjinshi .

If you find that parts of this site aren’t loading, just many many unforseen technical difficulties. The Interactive Animation of Julie and Kaia from Motorcity is also nearly finished, added a 3rd and final teaser trailer of the upcoming Extreme Ghostbusters animation featuring Kylie Griffin to the members section. Added a pic of Raven and Jinx from Teen Titans Go! Added 29 Zone; tan fan art images to the pictures section. Animated loops have no interactive elements but are animated frame, several loops of animation with clickable areas and other extra interactive elements. Usually makes Touhou dōjinshi and has collaborated with other known, added a pic of Peridot and Amethyst from Steven Universe to the pictures section. Added 2 pics of Pearl from Steven Universe to the pictures section.

In most Western cultures, dōjinshi is often perceived to be derivative of existing work, analogous to fan fiction and almost completely pornographic. This is partly true: dōjinshi are often, though not always, parodies or alternative storylines involving the worlds of popular manga, game or anime series, and can often feature overtly sexual material. Like their mainstream counterparts, dōjinshi are published in a variety of genres and types. However, due to the target audience, certain themes are more prevalent, and there are a few major division points by which the publications can be classified. It can be broadly divided into original works and aniparo—works which parody existing anime and manga franchises.

Another category of dōjinshi is furry or kemono, often depicting homosexual male pairings of furries and, less often, lesbian pairings. A major part of dōjinshi, whether based on mainstream publications or original, contains sexually explicit material, due to both the large demand for such publications and absence of restrictions official publishing houses have to follow. Indeed, often the main point of a given dōjinshi is to present an explicit version of a popular show’s characters. Copybooks, however, are self-made using xerox machines or other copying methods. Few are copied by drawing by hand. Not all category terms used by English-language fans of dōjinshi are derived from Japanese.

For example, an AU dōjinshi is one set in an alternate universe. Comiket is the world’s largest comic convention. The first CM was held in December 1975, with only about 32 participating circles and an estimated 600 attendees. Despite being in direct conflict with the Japanese copyright law as many dōjinshi are derivative works and dōjinshi artists rarely secure the permission of the original creator, Comiket is still permitted to be held twice a year and holds over half-a-million people attending each time it convenes. There are two notable instances of legal action over dōjinshi.

In 1999, the author of an erotic Pokémon manga was prosecuted by Nintendo. This created a media furor as well as an academic analysis in Japan of the copyright issues around dōjinshi. At this time, the legal analysis seemed to conclude that dōjinshi should be overlooked because they are produced by amateurs for one-day events and not sold in the commercial market. This section does not cite any sources. Yoshitoshi Abe has published some of his original works as dōjinshi, such as Haibane Renmei. He cited the reason as, essentially, not wanting to answer to anyone about his work, especially because he saw it as so open ended. Ken Akamatsu, creator of manga such as Love Hina and Negima, continues to make dōjinshi which he sells at Comiket under the pen-name Awa Mizuno.

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Nanae Chrono, creator of the manga Peacemaker Kurogane, has published multiple Naruto dōjinshi, most of a yaoi nature. Studio Loud in School have published popular Bastard! Masaki Kajishima, creator of Tenchi Muyo! Ryo-Ohki, has long used the dōjinshi format to produce additional information about the series he has created, primarily Tenchi Muyo! Kazuhiko Katō, also known as Monkey Punch, creator of Lupin III began as a dōjinshi artist.

Rikdo Koshi, creator of the manga Excel Saga, originally started out as a dōjinshi artist. Yun Kouga, a longtime published manga artist and creator of two well-known BL series, Earthian and Loveless has published dōjinshi for series such as Gundam Wing and Tiger and Bunny. Maki Murakami, creator of Gravitation and Gamers’ Heaven. Remix Gravitation AKA Rimigra and Megamix Gravitation, which were extremely sexually graphic. Minami Ozaki, creator of the boy’s love manga Zetsuai, is an extremely prolific dōjinshi creator. Angel and The Candidate for Goddess, started as a dōjinka. Inuyasha, made dōjinshi before she became a professional artist.

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Ko-chan and the comic adaptation of FLCL. Nobuteru Yūki sells dōjinshi based on his animated works under his pen-name “The Man in the High Castle”. Kana Ueda, creator of Nanoha Strikers futanari doujin. Yana Toboso used to be a Yaoi dōjinka before she authored Kuroshitsuji, which explained why there are some notable BL hints throughout the series. Sunao Minakata, the illustrator of Akuma no Riddle is a regular doujinka, especially in girls’ love theme. Usually makes Touhou dōjinshi and has collaborated with other known-for-Touhou-works-popular artists, such as Banpai Akira. Bleedman, creator of the online Powerpuff Girls Doujinshi, Grim Tales From Down Below, and Sugar Bits.

Fred Gallagher, creator of the Megatokyo series, as well as the in-development series Warmth. Raruto, a Spanish Naruto dōjinshi published online. Fabio Yabu produced the sentai spoof Combo Rangers. Kittyhawk, creator of Sparkling Generation Valkyrie Yuuki. 07th Expansion, creators of both Higurashi no Naku Koro ni and Umineko no Naku Koro ni. Clamp started out as a dōjinshi group of 11 known as Clamp Cluster.

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